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KIBLIX 2021 / Performans 
Nokturno v črni in zlati (“Nežni” iteracija #5) 
Petek, 9. 4. 2021, ob 19. uri
Dokumentacija performansa bo kasneje razstavljena v sklopu razstave KIBLIX 2021: Virtualni svetovi danes na KIBLA Portalu.
Judd Morrissey je pisatelj in umetnik, ki ustvarja poetične sisteme na različnih platformah in vključujejo elektronsko pisanje, internetno umetnost, performanse in obogateno resničnost. Poučuje na School of the Art Institute v Chicagu in je soustanovitelj performativnega kolektiva Anatomical Theatres of Mixed Reality (ATOM-r). Je prejemnik štipendije za umetniške pisatelje Creative Capital / Andy Warhol Foundation, nagrade Fulbright Scholar’s Award za digitalno kulturo in štipendije fundacije Mellon Foundation for Arts Practice and Scholarship. Juddova samostojna in kolektivna dela so bila vključena v številne festivale, konference in razstave v Art Institute of Chicago, Victoria and Albert Museum (London), Zero1 Garage (San Jose), Eyebeam (NYC), Le Cube ( Pariz), Anatomy Theater & Museum (London), Museum of Contemporary Art Chicago, and House of World Cultures (Berlin) in drugih. Kritiški odzivi na njegovega dela so bili med drugimi objavljeni v New York Timesu, The New Republic, RAINTAXI in Iowa Review. Mark Jeffery je umetnik, ki deluje na področju performansa in umetniških instalacij, kurator in izredni profesor na šoli Art Institute of Chicago. Od leta 1994 do danes je Mark Jeffery razvil nekonvencionalno sodelovanje z vizualnimi umetniki, učenjaki, video umetniki, zvočnimi umetniki, novomedijskimi umetniki, plesalci, koreografi, kuratorji in pisatelji. Leta 2012 je soustanovil jezikovni, performativni in tehnološki kolektiv Anatomical Theatres of Mixed Reality (ATOM-r). ATOM-r je premierno predstavil prvo delo The Operation leta 2014, leta 2017 pa Kjell Theøry, performans in razstavo, ustvarjeno v okviru dveh rezidenčnih bivanj v The International Museum of Surgical Science in The Graham Foundation. Kolekitv ATOM-r trenutno raziskuje in razvija nov umetniški projekt Rhinestone Cowboy, ki naj bi ga končali pozimi leta 2021. Mark je tudi organizator trienalnega festivala performansa IN>TIME, ki ga gostijo številna prizorišča v Chicagu. Zadnja izvedba festivala je bila pozimi 2019. Mark je bil od leta 1996 do leta 2009 član mednarodno priznane skupine Goat Island Performance Group. Njegove nedavne razstave in performansi so se med drugimi odvili v: Graham Foundation, Chicago, Victoria in Albert Museum, London, Chisenhale Dance Space, London, Alfred De Vrove, Praga, International Museum of Surgical Science, Chicago, Performance Arcade, Wellington, NZ, Australian Center for Moving Image, Melbourne in 606 Trail, Chicago. Od poletja 2019 sodeluje s Shannon Stratton, Kelly Kaczynski in Kelly Llyod pri triletnem raziskovalno-razstavno-performativnem projektu v The Poor Farm v Wisconsinu, ki bo rezultiral v obsežni razstavi, ki bo na ogled poleti 2022. Od poletja 2018 je Mark v svojem domu, v četrti Ukrainian Village v Chicagu, ustvarjal performanse in vzpostavil razstavni prostor Ohklahomo. Nov prostor omogoča povezovanja in sodelovanja med uveljavljajočimi se in že uveljavljenimi umetniki, ki lahko tako ustvarjajo nova eksperimentalna umetniška dela, ki pa vedno vsebujejo element večerje. Abraham Avnisan je interdisciplinarni umetnik, katerega umetniška praksa je situirana na presečišču slike, besedila in kode. Z uporabo različnih nastajajočih tehnologij, vključno s 3D-skeniranjem, nadgrajeno resničnostjo in navidezno resničnostjo, ustvarja aplikacije za mobilne naprave, interaktivne instalacije in performanse z uporabo najnovejših tehnologij, ki skušajo skozi utelešenje jezikovnih strategij subvertirati dominantne narative. Abraham je svoja dela predstavljal na državni in mednarodni ravni. Izbrane razstave, bienali in uprizoritve vključujejo: Inside Practice na Art Institute of Chicago v Chicagu, IL (2020), Refiguring the Future v 205 Hudson Gallery v New Yorku , NY (2019); Between Bodies v Henry Art Gallery v Seattlu, Washington (2018–19). Abraham je na Brooklyn College magistriral iz poezije (MFA), na Art Institute of Chicago pa iz področja umetnosti in tehnologije (MFA). Je docent na Oddelku za nastajajoče medije in tehnologijo ter Oddelku za novinarstvo in masovno komuniciranje na Kent State University. KIBLIX 2021 / Live Performance Nocturne in Black and Gold (“The Tenders” iteration #5) Friday, 9 April 2021, at 7 p.m. CET The performance documentation will be later on exhibited at the KIBLIX 2021: Virtual Worlds Now exhibition at KIBLA Portal. Judd Morrissey is a writer and code artist who creates poetic systems across a range of platforms incorporating electronic writing, internet art, live performance, and augmented reality. He teaches at the School of the Art Institute of Chicago and co-founded the performance collective Anatomical Theatres of Mixed Reality (ATOM-r). He is a recipient of a Creative Capital / Andy Warhol Foundation Arts Writers Grant, a Fulbright Scholar’s Award in Digital Culture, and a Mellon Foundation Collaborative Fellowship for Arts Practice and Scholarship. Judd’s solo and collaborative works have been included in a broad range of festivals, conferences and exhibitions at venues including the Art Institute of Chicago, Victoria and Albert Museum (London), Zero1 Garage (San Jose), Eyebeam (NYC), Le Cube (Paris), Anatomy Theater & Museum (London), Museum of Contemporary Art Chicago, and House of World Cultures (Berlin). Reviews of his work have appeared in the New York Times, The New Republic, RAINTAXI, and the Iowa Review. Mark Jeffery is a Chicago based performance/installation artist, curator and associate professor at the School of the Art Institute of Chicago. Since 1994 Mark Jeffery has developed unconventional collaborations with visual artists, scholars, video artists, sound artists, new media and code artists, dancers, choreographers, curators, and writers. In 2012, he co-founded the language, performance, and technology collective Anatomical Theatres of Mixed Reality (ATOM-r). ATOM-r premiered its first work The Operature in 2014 and in 2017 premiered Kjell Theøry a performance and exhibition created through two residencies at The International Museum of Surgical Science and The Graham Foundation. ATOM-r is currently in research and development of their new work, Rhinestone Cowboy that they anticipate to complete in winter of 2021. He is organizer of the IN>TIME Tri Annual performance festival hosted by multiple venues in Chicago. The last edition was in the winter of 2019. Mark was a former member of the internationally renowned Goat Island Performance Group from 1996–2009. Recent performances and exhibitions include: Graham Foundation, Chicago, Victoria and Albert Museum, London, Chisenhale Dance Space, London, Alfred De Vrove, Prague, International Museum of Surgical Science, Chicago, Performance Arcade, Wellington, NZ, Australian Centre for Moving Image, Melbourne and 606 Trail, Chicago. Since Summer 2019 he has collaborated with Shannon Stratton, Kelly Kaczynski and Kelly Llyod on a 3 year long research and exhibition and performance project at The Poor Farm, Wisconsin that will culminate in a large-scale exhibition summer 2022. Since summer of 2018, Mark has created a performance and exhibition space in his Ukranian Village home, called Ohklahomo. The new space allows for emerging and established artists to connect, make new experimental work and also always has a dinner component. Abraham Avnisan is an interdisciplinary artist whose work is situated at the intersection of image, text and code. Using a host of emerging technologies including 3D scanning, augmented reality and virtual reality, he creates applications for mobile devices, interactive installations and technologically mediated performances that seek to subvert dominant narratives through embodied encounters with language. Abraham has presented his work both nationally and internationally. Selected exhibitions, biennials and performances include: Inside Practice at the Art Institute of Chicago in Chicago, IL (2020), Refiguring the Future at 205 Hudson Gallery in New York, NY (2019); Between Bodies at The Henry Art Gallery in Seattle, Washington (2018–2019). Abraham holds an M.F.A. in Poetry from Brooklyn College and an M.F.A. in Art and Technology Studies from The School of the Art Institute of Chicago. Abraham is an assistant professor of Emerging Media & Technology and Journalism & Mass Communication at Kent State University.
